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ÃâÇ°¸í | 2012 ´ëÇѹα¹ ±¹°¡ »ó¡ µðÀÚÀÎ | ||
TITLE | 2012 The Korean National Symbol Design | ||
ÃâÇ°ÀÚ | ÃÖöȣ Àֳ̾ª |
À̸ÞÀÏ |
choihochi@naver.com aenal@naver.com |
ÃâÇ°ºÎ¹® | ½Ã°¢µðÀÚÀÎ | ÃâÇ°ÀÚ±¸ºÐ | Çлý |
Á¢¼ö¹øÈ£ | 11AV0350 | Á¶È¸¼ö | 540 |
ÃâÇ°¼³¸í | |||
¿ì¸®´Â ´ëÇѹα¹À» ´ëÇ¥ÇÏ´Â »ó¡¹°À» ¸ð¾Æ, µ¿¾çÀûÀÎ º×ÅÍÄ¡¿Í ÀüÅë¹®¾çÀ» Á¶ÇÕÇØ ½Éº¼È ½ÃÄ×´Ù. ÀÌ´Â Çѱ¹ÀûÀÎ °ÍÀÌ °ð ¼¼°èÀûÀÎ °ÍÀ¸·Î, ÀüÅëÀû µðÀÚÀΰú °¨¼ºÀûÀΠĶ¸®±×¶óÇÇÀÇ Á¶È´Â ´ëÇѹα¹ °íÀ¯ÀÇ ¹®È¸¦ Àü ¼¼°è¿¡ ¾Ë¸®°í, ³ª¾Æ°¡ ±¹°¡ À̹ÌÁö¸¦ Á¦°íÇÏ°íÀÚ ÇÔ¿¡ ±× ¸ñÀûÀÌ ÀÖ´Ù. | |||
DESCRIPTION | |||
We have gathered the symbols which represent Korea, and symbolized them together with the oriental paintbrush and traditional patterns. This indicates that Korean concept indeed embraces global concepts. The mixture of traditional design and emotional calligraphic design aims to increase the awareness of Korean traditional culture. Furthermore, it aims to create a better image of Korea. |